The Scarlet Pimpernel
A Musical Adventure in 2 Acts. Book and lyrics by Nan Knighton. Based on the novel of the same name by Baroness Orczy. Music by Frank Wildhorn.
Minskoff Theatre, New York - 9 November 1997 (640 perfs)
ACT I - Paris. May of 1794.
At the bloody peak of the French Revolution, the beautiful actress, Marguerite St. Just, falls in love with an Englishman, Sir Percival Blakeney. After a whirlwind courtship, she announces her engagement to Percy during her farewell performance at the Comédie-Française.
Chauvelin, a high-ranking revolutionary official and Marguerite's former lover, is furious. On the night Marguerite leaves for England with Percy and her brother, Armand, Chauvelin blackmails her into delivering him secret information about the Marquis de St. Cyr, a friend of Percy's whom Chauvelin promises will not be harmed. But in no time, Chauvelin uses this information to trap St. Cyr, and oversees his death by guillotine, along with his family and scores of other innocent Frenchmen.
In England, Percy and Marguerite are married but Percy's happiness is abruptly dashed when he learns his new bride was responsible for the death of his friend, St. Cyr. He has apparently married a French spy and sends a confused Marguerite off to bed alone on their wedding night.
Determined, somehow, to right the wrong his wife has done, Percy gathers his friends around him and persuades them to join him in a "private war" against the inhumanities of the bloody French regime. They will call themselves The League of the Scarlet Pimpernel and work through disguise and diversion to save as many innocent lives as they can. The men board a schooner to sail to France.
By early July, Percy (a.k.a. The Scarlet Pimpernel) has managed, with his men, to pull off one clever rescue after another, and Chauvelin responds with a fiery determination to catch this mysterious Pimpernel.
Back in England, Percy and his men have now become virtual caricatures of their dandified, foppish selves in order to deflect suspicion from their heroic activities in France. Continuing his "fop act," Percy entertains one and all as they speculate about the identity of their new British hero. Marguerite has no idea why Percy has become so distant and inane, and their marital estrangement is a source of constant pain for her.
Chauvelin arrives in England and pays a visit to Marguerite. He asks her to work with him again and help discover the identity of The Scarlet Pimpernel. She angrily refuses, but realising that Marguerite is unhappy in her marriage, Chauvelin tries to win her to his side, reminding her of the passions they shared early in the revolution. Marguerite sends Chauvelin away, determined never to fall into his clutches again. As for Percy, although he now regards his wife as a stranger he continues secretly to love her.
Percy and his men are summoned to the Royal Palace by the Prince of Wales, who suspects they may have something to do with the League of the Scarlet Pimpernel. They are able to persuade the Prince, however, that their frequent trips to France are merely to buy frills and frou-frou. After all, their only duty as men is to "uphold the banner of beauty". Meanwhile, Chauvelin meets secretly with Marguerite, informing her that her beloved brother, Armand, has been arrested in Paris as a member of the Pimpernel's League. He insists she spy for him at the Royal Ball that night. If she fails to come up with information about the Pimpernel, Armand will be guillotined. Marguerite, Chauvelin and Percy eye one another warily, as all three wonder who exactly can be trusted in this slippery world!
That night, at the Royal Ball, Percy continues his public disguise as England's greatest fool, joking about the elusive Pimpernel and mocking the stony-faced Chauvelin. Undeterred, Chauvelin commands Marguerite to uncover the identity of the Pimpernel, and she persuades one of Percy's men to have the Pimpernel meet her outside on the footbridge. When Percy arrives, disguising his voice and keeping in the shadows, Marguerite confesses her sins to the Scarlet Pimpernel: yes, she has tried to expose him and, yes, she has spied, but it all has stemmed from Chauvelin's coercion and blackmail. She warns the Pimpernel to run from Chauvelin, and begs him to help her save her brother. Percy sends his wife away, and releases his great joy at discovering that she has only been an innocent victim. All along she has been the same woman with whom he fell in love.
Percy instantly sets off for France with his men to try to save Armand, but Marguerite also secretly travels to Paris. Disguising herself as a French tart, she tries to cajole information about her imprisoned brother from two soldiers. Chauvelin, however, is nearby, and instantly seeing through her disguise, he orders both Armand and Marguerite to be sentenced to the guillotine. Embittered at the realisation that Marguerite will never return his love, Chauvelin finally drives her out of his heart.
In prison, Marguerite tries hard not to think of Percy. She prepares to meet her death, but Chauvelin has a subtler torture in mind. Resolved to catch the Pimpernel, he allows Marguerite and Armand to escape and sets a trap for all of them. As everyone converges on stage at the now abandoned Comédie-Française, Marguerite finally learns that the Scarlet Pimpernel is none other than her own husband, Percy. Percy and Chauvelin confront each other in the ultimate swordfight and showdown, and although Percy seems certainly doomed to death, he manages to outwit Chauvelin one last time. Finally, Percy and Marguerite are reunited and able to trust one another.
The Full Company joins in to celebrate this triumph of the human spirit.
CAST (in order of appearance):
French Mob and Soldiers/ British Guest and Servants; Fisherman
The action takes place from May to July, 1794, in England and France.
1 Reed I: Piccolo, Flute, Alto Flute & Soprano Saxophone
(Alto Flute music w/ interlinear transposition for Flute)
1 Reed II: Oboe & English Horn
(English Horn w/ interlinear transposition for Clarinet)
1 Reed III: Flute, Clarinet & Bass Clarinet
1 Reed IV: Bassoon & Contrabassoon
1 Horn I
1 Horn II
1 Trumpet I (Trumpet doubling Piccolo Trumpet)
1 Trumpet II
1 Trombone I (Tenor Trombone & Euphonium)
1 Trombone II (Bass Trombone)
1 Percussion I (Trap Drum Set)
1 Percussion II (Mallet Instruments)
1 Keyboard I (Synthesizer, principally piano)
1 Keyboard II (Synthesizer, Principally string substitute)
3 Violin (6 players)
1 Viola (2 players)
1 Cello (2 players)
1 Bass (Acoustic & Electric)
The orchestration requires 25 players unless the parts for violin, viola and cello are left entirely to the Keyboard II (Synthesizer - string substitute), then the minimum number of players required is 15.